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post a song and rate it.

Last posted Sep 10, 2024 at 10:22PM EDT. Added Aug 02, 2014 at 01:37AM EDT
1765 posts from 204 users

8/10, not as familiar with KRS-One as I am with some other old school rappers (one of the only other songs of his I know is "Sound of da Police" and I admit part of it is because the chorus became a small time meme) but it's still a catchy tune

gr8 b8 m8/10
Well, I gonna copy-paste one of the top comments of the video to do review for me:
Justin Bieber makes the regular version for the masses, but then when he's finally alone, he pours a glass of whiskey, slows his songs down to the experimental ambient sound he wishes he could make the same money off of and contemplates his existence and what it's all really worth.

Yeah, that was somehow interesting to hear, and to think back then Bieber was one of the most hated persons on the surface of the Earth. I admit, I also had a hate boner of that song, but now, all that is in the past…


Let's take a look at this, I can only imagine. We're gonna be Tiger Uppercutting through space and time. We're gonna be throwing Sonic Booms on the moon. Hadoukens up Uranus, fuck Street Fighter IV, this is Street Fighter 2010!

Lightning Bolt… Geez, I haven't heard from that band after their release of Hypermagic Mountain, and they are still just as a mindfuck as they were ten years ago. 8.5/10 just for the sake I could never understand what the fuck the lead singer is saying 90% of the time.

8/10

I've heard one song previously off this album, and after hearing this one I think that this certain track must've been recorded before Laura got her vocals altered (if that's part of the process) because she still sounds like her old self on this song (like I said, I haven't listened to much else recent). That said, this is still a good song that contains what you would usually hear from the band.

Whelp, that was something.
Before to rate the song allow me to say that it trows everything at ya: the quasi-hypnotic string section, that weird chorus and that percussion solo tho. I already listened this album before but still I don't get it, it is to much for me.
So 2deep4me 7.5/10.


Feeling a strong 8 out of 10. The combination of Ride's usual style of rapping mixes well with the 1980s esque synth, and the sudden change to something more industrial sounding in the middle brings about that "purposely uncomfortable" feeling a bunch of DG songs seem to have.

Mistress Fortune wrote:

Feeling a strong 8 out of 10. The combination of Ride's usual style of rapping mixes well with the 1980s esque synth, and the sudden change to something more industrial sounding in the middle brings about that "purposely uncomfortable" feeling a bunch of DG songs seem to have.

I said before but when it comes to modern EDM with elements of trap rap music like here I, I just don't get it, it has build up rhythm but it's not my cup of tea
6/10


What if I told you there is a cover of a Velvet Underground song made by Billy Idol, but not by 80's Billy Idol no-no not like that; this cover was made by 90's Billy Idol!

Just embrace it for me will ya, it's a byotiful mess and it's a shame that YT don't have the original music video with better quality visuals to be truly appreciate it as was it is: an attempt by Billy Idol to keep to the current wave of 90's music.
Lou Reed did not die for this

5/10 I've seen Todd in the Shadows' review of this album and can say this is one of the most WTF covers of all time, up there with Limp Bizkit's "Faith". That said, I do actually like "Shock to the System" like Todd also does.

Shout out to OP for introducing me to Ghostface Killah. This songs had me hooked when I first heard it, but after a few listens I started to realize how morbid it is. 8/10

10/10 just for the fact that it's Ghostface, if you like East coast rap you should look at Nas and if you want a different taste take a look at "Delinquent Habits". (start at Return of the Tres)

6/10 I'm not really into that scene and it's just a bit too edgy for my liking although I'd like to see what the guy could do with his voice on a different song.

This is a preeeeetty long one but if you're a fan of bands like Rainbow(Ritchie Blackmore) ,Genesis, Pink Floyd, Dio and the like I think for sure you'll appreciate this. I really like the segment between 13:50 → 18:30 (pays homage to Mike Portnoy's influences)

Last edited Apr 15, 2019 at 04:50PM EDT

7.5/10
Not a huge fan of Dream Theater's style of wanky metal that sounds a bit like a more pretentious Faith No More, but I can appreciate the skill of Mike Portnoy and the rest of the band. Probably the only outstanding song in the album thanks to their tightest moments yet.

Last edited Apr 15, 2019 at 11:16PM EDT

7/10, is this Jazz? Not a bad genre. This has me wanting to explore the Tokyo streets at night. Songs like these always have these urban New Orleans-esque allures I tend to find.


This song takes me back to when I was working my first summer job at a local Six Flags. I clearly remember banging my head to this song as I drove into the sunset back home after a long, hot 7 hours every weekday. I always feel a sense of euphoria and bliss listening to this song.

Last edited Apr 17, 2019 at 01:54AM EDT

6/10
The instrumental is pretty cool, although it is a little one-note. The vocals should've been delivered with more force imo, and some of the bars are kinda corny (a symptom of many a soundtrack) for something that's supposed to be badass. Not a bad track, though.

5/10, it's something that can hype up a fun little competition, but I don't like metal enough to put this on my playlist or on repeat.


Angsty.

9/10, sounds like Silent Hill industrial meets Devil May Cry rock. Can see myself using this as "hype up" music.


(for the hell of it I'll mention that the reason I found this song was because of someone in the comments of a Sleepycast animated video saying that the singer in this band sounds like what you'd get if Zach sung in a band)

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