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Access Denied

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Lawnmower mouth

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The Lawnmower Man (1992)

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Magic Stick

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Just a tiny cut

ptoitastic

ptoitastic

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AssSword

What, dammit?! Maybe it's time you see the goblins' hidden weapon! MakeAGIF.com

What, dammit?! Maybe it's time you see the goblins' hidden weapon! MakeAGIF.com

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2D Animated Action Smears

ANIMATION SMEARS ARE HAND DRAWN MOTION BLURS. THEY HAVE MANY DIFFERENT LOOKS DEPENDING ON A DESIGN AESTHETIC NONE ACTION STYLE SIMPLE SMEAR MLTIPLE EXPOSURES SOUASH N STRETCH OTHER SPEED LINES

ANIMATION SMEARS ARE HAND DRAWN MOTION BLURS. THEY HAVE MANY DIFFERENT LOOKS DEPENDING ON A DESIGN AESTHETIC NONE ACTION STYLE SIMPLE SMEAR MLTIPLE EXPOSURES SOUASH N STRETCH OTHER SPEED LINES

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Soylent Green

Mik

Mik

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Awaken You Dreamers

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I'm Robocop Do this Do That Blah Blah Blah

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Cat + Toast = Perpetual Motion Machine

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12 principles of animation

12 PRINCIPLES OF ANIMATION* Squash and Stretch Timing and Motion Anticipation Staging Squashing and stretching an object or character to give the illusion of weight Fewer drawings make an action faster and snappier while more drawings make an action slower and smoother Presenting a scene in a way that makes it clear to the audience Preparation for an action Follow-Through and Overlapping Action Straight Ahead and Pose-to-Pose Action Slow In and Out Arcs Loose parts of the body continue moving after the character stops and eventually catch up Straight ahead is drawing a scene by starting out at the beginning and going to the end. Pose-to-pose draws out major actions then fills in the rest More drawings at the beginning and ending of a sequence to show acceleration and deceleration Actions should follow an arc to give them a better flow Exaggeration Secondary Action Solid Drawing Аppeal Making actions more extreme to increase excitement Understanding the basics of three- dimensional form when creating Giving a character personality to make them feel real and interesting A second action in the scene to complement the main action objects or characters LACHINA "Paraphrased from principles in The llusion of Life by Ollie Johnston and Frank Thomas DEVELOPING LIVING CONTENT

12 PRINCIPLES OF ANIMATION* Squash and Stretch Timing and Motion Anticipation Staging Squashing and stretching an object or character to give the illusion of weight Fewer drawings make an action faster and snappier while more drawings make an action slower and smoother Presenting a scene in a way that makes it clear to the audience Preparation for an action Follow-Through and Overlapping Action Straight Ahead and Pose-to-Pose Action Slow In and Out Arcs Loose parts of the body continue moving after the character stops and eventually catch up Straight ahead is drawing a scene by starting out at the beginning and going to the end. Pose-to-pose draws out major actions then fills in the rest More drawings at the beginning and ending of a sequence to show acceleration and deceleration Actions should follow an arc to give them a better flow Exaggeration Secondary Action Solid Drawing Аppeal Making actions more extreme to increase excitement Understanding the basics of three- dimensional form when creating Giving a character personality to make them feel real and interesting A second action in the scene to complement the main action objects or characters LACHINA "Paraphrased from principles in The llusion of Life by Ollie Johnston and Frank Thomas DEVELOPING LIVING CONTENT

animation 12 principles gif animating creating art knowledge animation 12 principles lachina

If you're interested in animation, here's a super useful gif of the 12 principles.

12 PRINCIPLES OF ANIMATION* Squash and Stretch Timing and Motion Anticipation Staging HIH Squashing and stretching an object or character to give the illusion of weight Fewer drawings make an action faster and snappier while more drawings make an action slower and smoother Presenting a scene in a way that makes it clear to the audience Preparation for an action Follow-Through and Overlapping Action Straight Ahead and Pose-to-Pose Action Slow In and Out Arcs Loose parts of the body continue moving after the character stops and eventually catch up Straight ahead is drawing a scene by starting out at the beginning and going to the end. Pose-to-pose draws out major actions then fills in the rest More drawings at the beginning and ending of a sequence to show acceleration and deceleration Actions should follow an arc to give them a better flow Exaggeration Secondary Action Solid Drawing Аppeal Making actions more extreme to increase excitement A second action in the scene to complement the main action Understanding the basics of three- dimensional form when creating objects or characters Giving a character personality to make them feel real and interesting LACHINA DEVELOPING LIVING CONTENT Panchrased from principles in The usion of Lite by Ole Johneton and Frank Thomas

12 PRINCIPLES OF ANIMATION* Squash and Stretch Timing and Motion Anticipation Staging HIH Squashing and stretching an object or character to give the illusion of weight Fewer drawings make an action faster and snappier while more drawings make an action slower and smoother Presenting a scene in a way that makes it clear to the audience Preparation for an action Follow-Through and Overlapping Action Straight Ahead and Pose-to-Pose Action Slow In and Out Arcs Loose parts of the body continue moving after the character stops and eventually catch up Straight ahead is drawing a scene by starting out at the beginning and going to the end. Pose-to-pose draws out major actions then fills in the rest More drawings at the beginning and ending of a sequence to show acceleration and deceleration Actions should follow an arc to give them a better flow Exaggeration Secondary Action Solid Drawing Аppeal Making actions more extreme to increase excitement A second action in the scene to complement the main action Understanding the basics of three- dimensional form when creating objects or characters Giving a character personality to make them feel real and interesting LACHINA DEVELOPING LIVING CONTENT Panchrased from principles in The usion of Lite by Ole Johneton and Frank Thomas

animation 12 principles gif animating creating art knowledge

Deflecting the Bullet

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Dancing gunt

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The Dancing Gunt

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Dancing Pudding

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Gunt Quest

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Lollingrad

Reichtangle V2

Reichtangle V2

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