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Lawnmower mouth

lawnmower man jobe smith cgi brain

The Lawnmower Man (1992)

the lawnmower man cgi gif

Magic Stick

spetsnaz russian kazakhstan training exercise hostage rescue explosion slav magic

Just a tiny cut

ptoitastic

ptoitastic

tokyo gore police blood gif

No context would be enough to explain this

gif machine girl shyness machin girl machine gun what

AssSword

What, dammit?! Maybe it's time you see the goblins' hidden weapon! MakeAGIF.com

What, dammit?! Maybe it's time you see the goblins' hidden weapon! MakeAGIF.com

gif robogeisha geisha ninja tengu sword

2D Animated Action Smears

ANIMATION SMEARS ARE HAND DRAWN MOTION BLURS. THEY HAVE MANY DIFFERENT LOOKS DEPENDING ON A DESIGN AESTHETIC NONE ACTION STYLE SIMPLE SMEAR MLTIPLE EXPOSURES SOUASH N STRETCH OTHER SPEED LINES

ANIMATION SMEARS ARE HAND DRAWN MOTION BLURS. THEY HAVE MANY DIFFERENT LOOKS DEPENDING ON A DESIGN AESTHETIC NONE ACTION STYLE SIMPLE SMEAR MLTIPLE EXPOSURES SOUASH N STRETCH OTHER SPEED LINES

animation art gif smear drawing

Soylent Green

Mik

Mik

the levellers cows come on music video milk green dystopia

Awaken You Dreamers

the levellers come on music video eye pupil contraction awakening

I'm Robocop Do this Do That Blah Blah Blah

pixel art robocop lips

Cat + Toast = Perpetual Motion Machine

cat toast troll physics perpetual motion machine gif

12 principles of animation

12 PRINCIPLES OF ANIMATION* Squash and Stretch Timing and Motion Anticipation Staging Squashing and stretching an object or character to give the illusion of weight Fewer drawings make an action faster and snappier while more drawings make an action slower and smoother Presenting a scene in a way that makes it clear to the audience Preparation for an action Follow-Through and Overlapping Action Straight Ahead and Pose-to-Pose Action Slow In and Out Arcs Loose parts of the body continue moving after the character stops and eventually catch up Straight ahead is drawing a scene by starting out at the beginning and going to the end. Pose-to-pose draws out major actions then fills in the rest More drawings at the beginning and ending of a sequence to show acceleration and deceleration Actions should follow an arc to give them a better flow Exaggeration Secondary Action Solid Drawing Аppeal Making actions more extreme to increase excitement Understanding the basics of three- dimensional form when creating Giving a character personality to make them feel real and interesting A second action in the scene to complement the main action objects or characters LACHINA "Paraphrased from principles in The llusion of Life by Ollie Johnston and Frank Thomas DEVELOPING LIVING CONTENT

12 PRINCIPLES OF ANIMATION* Squash and Stretch Timing and Motion Anticipation Staging Squashing and stretching an object or character to give the illusion of weight Fewer drawings make an action faster and snappier while more drawings make an action slower and smoother Presenting a scene in a way that makes it clear to the audience Preparation for an action Follow-Through and Overlapping Action Straight Ahead and Pose-to-Pose Action Slow In and Out Arcs Loose parts of the body continue moving after the character stops and eventually catch up Straight ahead is drawing a scene by starting out at the beginning and going to the end. Pose-to-pose draws out major actions then fills in the rest More drawings at the beginning and ending of a sequence to show acceleration and deceleration Actions should follow an arc to give them a better flow Exaggeration Secondary Action Solid Drawing Аppeal Making actions more extreme to increase excitement Understanding the basics of three- dimensional form when creating Giving a character personality to make them feel real and interesting A second action in the scene to complement the main action objects or characters LACHINA "Paraphrased from principles in The llusion of Life by Ollie Johnston and Frank Thomas DEVELOPING LIVING CONTENT

animation 12 principles gif animating creating art knowledge animation 12 principles lachina

If you're interested in animation, here's a super useful gif of the 12 principles.

12 PRINCIPLES OF ANIMATION* Squash and Stretch Timing and Motion Anticipation Staging HIH Squashing and stretching an object or character to give the illusion of weight Fewer drawings make an action faster and snappier while more drawings make an action slower and smoother Presenting a scene in a way that makes it clear to the audience Preparation for an action Follow-Through and Overlapping Action Straight Ahead and Pose-to-Pose Action Slow In and Out Arcs Loose parts of the body continue moving after the character stops and eventually catch up Straight ahead is drawing a scene by starting out at the beginning and going to the end. Pose-to-pose draws out major actions then fills in the rest More drawings at the beginning and ending of a sequence to show acceleration and deceleration Actions should follow an arc to give them a better flow Exaggeration Secondary Action Solid Drawing Аppeal Making actions more extreme to increase excitement A second action in the scene to complement the main action Understanding the basics of three- dimensional form when creating objects or characters Giving a character personality to make them feel real and interesting LACHINA DEVELOPING LIVING CONTENT Panchrased from principles in The usion of Lite by Ole Johneton and Frank Thomas

12 PRINCIPLES OF ANIMATION* Squash and Stretch Timing and Motion Anticipation Staging HIH Squashing and stretching an object or character to give the illusion of weight Fewer drawings make an action faster and snappier while more drawings make an action slower and smoother Presenting a scene in a way that makes it clear to the audience Preparation for an action Follow-Through and Overlapping Action Straight Ahead and Pose-to-Pose Action Slow In and Out Arcs Loose parts of the body continue moving after the character stops and eventually catch up Straight ahead is drawing a scene by starting out at the beginning and going to the end. Pose-to-pose draws out major actions then fills in the rest More drawings at the beginning and ending of a sequence to show acceleration and deceleration Actions should follow an arc to give them a better flow Exaggeration Secondary Action Solid Drawing Аppeal Making actions more extreme to increase excitement A second action in the scene to complement the main action Understanding the basics of three- dimensional form when creating objects or characters Giving a character personality to make them feel real and interesting LACHINA DEVELOPING LIVING CONTENT Panchrased from principles in The usion of Lite by Ole Johneton and Frank Thomas

animation 12 principles gif animating creating art knowledge

Deflecting the Bullet

korn freak on a leash music video bullet time slow motion bullet

Where we're going, we won't need eyes to see

SHE Where we're going, we won't need eyes to see.

event horizon eyes horror libera te tutemet dr. william weir

Dancing gunt

ethan ralph gunt dancing pudding kiwifarms

The Dancing Gunt

ethan ralph dancing pudding

Dancing Pudding

mister metokur dancing pudding

Gunt Quest

gunt ethan ralph corn harvest

Lollingrad

Reichtangle V2

Reichtangle V2

world war 2 ww2 lolli anime nazi germans wehrmacht battle stalingrad reichtangle kaiser vs maika sakuranomiya blend-s