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I'm talking about a "grid of cultural intelligibility", where sex, gender and desire are maintained under a heterosexual binary (i.e. coherent pattern of sex → gender → oppositional desire) Well... "continuity" of sex, gender and desire are the Like the grid in norms of intelligibility" 12 p.23 p.208, p.30 So with gender l just rinse, lather, repeat? Woah, watch where you put the "I" there And as this pattern is repeated, we come to see it as natural. Remember the congealing? This is gender performativity: "anticipation", "repetition" and "ritual. Gender is a doing not a being is no doer behind the 15, p.xv Ok, what?! Gender is "performative" in that it is productive. Identity is an effect (a product) rather than a cause. "It is neither fatally determined nor fully artificial and arbitrary". It is not But if you don't mean performativity as theatrical why do you use the example of drag in chapter I simply used drag as a parodic example of gender identity a parody "of the very notion of an original". I don't prescribe it as a subversive tactic. I'm at a loss JB. Can we ever overcome We can't overcome. BUT what I have described is inherently open to transformation hegemony you descrihe? p.188, p.xxii "I continue to hope for a coalition of sexual minorities that will transcend the simple categories of identity...that will counter and dissipate the violence imposed by restrictive bodily norms" "Gender 'reality... might be made differently and, indeed, less violently" p.xxvil AWESOME! INSPIRED BY JUDITH BUTLER'S Gender Trouble. MADE BY HANNAH. BUSY PHD STUDENT AND FOUNDING MEMBER OF THE JB FAN CLUB

Judith Butler Explained with Cats - Part Two


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Uploaded May 23, 2013 at 03:46PM EDT

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