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No wonder why they can't win a debate
Uploaded by Wess May 19, 2015 at 09:15PM EDT
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![Gamergate (harassment campaign) Article Talk From Wikipedia, the free encyclopedia For other uses, see Gamergate (disambiguation). Gamergate or GamerGate (GG)[¹] was a loosely organized misogynistic online harassment campaign and a right-wing backlash against feminism, diversity, and progressivism in video game culture. [2][³] It was conducted using the hashtag "#Gamergate" primarily in 2014 and 2015.[1][4][5][6] Beginning in August 2014, Gamergate targeted women in the video game industry, most notably feminist media critic Anita Sarkeesian and video game developers Zoë Quinn and Brianna Wu, among others.[7][8][9][10][11] The harassment campaign included doxing, r--- threats, and death threats.[12][13][14] Gamergate proponents ("Gamergaters") stated that they were a social movement, but lacked well-defined goals, a coherent message, and leaders, making Gamergate difficult to define.[15][16][17] Gamergaters claimed to promote ethics in video games journalism, claimed to be protecting the "gamer" identity, and opposed what they asserted as "political correctness" in video games.[18][19][20][21][22] Read Date Target Gamergate, online harassment campaign in 2014-15 that targeted women in the video game industry. The attacks were attributed largely to white male right-wing gamers who railed against the rise and influence of women and feminism in the industry. Gamergate served as a recruiting tool for the growing alt-right movement and helped spur the online “Pizzagate" conspiracy theory, which soon spawned the wider QAnon conspiracy movement. …………………………....…..……….…..... Attack type Victims Motive View source Inquiry XA 28 languages ✓ Perpetrators Internet trolls, particularly from 4chan, Internet Relay Chat, and 8chan View history Tools ✓ Gamergate August 2014 - 2015 Women in the video game industry See all media Online harassment campaign Zoë Quinn, Anita Sarkeesian, Brianna Wu, and others Gamergaters created conspiracy theories falsely accusing Quinn of an unethical relationship with video game journalist Nathan Grayson.[23][24][25] More broadly, they alleged unethical collusion between the press and feminists, progressives, and social critics.[17][26] [27] These claims were widely dismissed as trivial, conspiracy theories, baseless, or unrelated to actual issues of ethics in gaming and journalism.[28] [29][30] Gamergate supporters frequently denied that the harassment took place, falsely claiming it to be manufactured by the victims.[31][32] Misogyny anti-feminism anti- progressivism FBI investigation Gamergate has been described as a culture war over cultural diversification, artistic recognition, feminism in video games, social criticism in video games, and the social identity of gamers.[28][33] [34] [35] Many supporters of Gamergate opposed the increasing influence of feminism and so-called "social justice warriors" on video game culture. [2][36] Gamergate led figures both inside and outside the gaming industry to focus on methods of addressing online harassment, ways to minimize harm, and prevent similar events. [37] [38] [39] [40] Gamergate has been viewed as a contributor to the alt-right and other right- wing movements.[21][41] Video game developer Brianna Wu](https://i.kym-cdn.com/photos/images/list/002/691/215/331.png "What the actual f--- are we supposed to do about this")
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![COMICS TMS: I know in the past you've talked about how youve The Internet provides all that. You can interact with the So yes, I get a lot of criticism, that's fine. I bristle at the The Mary Sue Interview: Bill received criticism for stuff that people have percelved people that make the stuff that's important to you! And criticism that starts with a conclusion, 'you are a Nazi Willingham Talks that is, of course, both a blessing and a curse. So criticism can flow much more freely, and it does not racist misogynist homophobe, and that's their opening line. All of those are words to stop a conversation, those are shouting-down, 'you don't even deserve to be heard as political in the books, and I feel like now with the advent of the Internet and people being able to participate more easily in fandoms online, that criticism is a lot easier to share about comics in ge wondering how you feel about that discourse being a much easier thing to share, and much more quickly now Gamergate, Politics in have to go through gatekeepers. The best and the most Comics, and Saving Goodbye to Fables by Carolyn Cox( ' ] | Monday, May 1 1 th 2015 at 3:47 pm u lead off with that, you don't ge erudite and all that are going to get noticed in the long run, butI don't mind that the gatekeepers don't get to decide that. But it's annoying, because of course anyone can call you a s---, and some do. When this whole brouhaha ot the new manners shakes out, when we start to settle on things, one of the things I hope we settle on is that those who will hurl their crap under words. Whe have a conversation with me. I will often hear said-the Gamergate controversy right now is indicative of this-is the arguments that are on that level, and start off on that level, always stay on that level. Because you have just filtered out everyone else [that] is going to argu reasonably, and [now] it's only the verbal bomb throwers. I've got little patie better than mechanisms to silence them, as well. I'm just hoping that the cream rises to the top, that the wa Share tumblr Willingham: There's an old saying I used to love, "a cat can look like a king." Which is, there's no person that's so great that the great unwashed masses unable to see them, the peasant and the king still share some commonality. And now with the Internet, that is the case. What we're trying to do is figure out the rules ohysicall me w mo uthority than tho r that, and yet it's who do it anonymously. Sign your own name to your crap. Stand up for it. When you present yourself to the entire world as a non-person, you have no right to n who can back up his argument is going to e the Internet has changed nything other tha ectt everything. So we've come up with notions and spread The notion tha e the left, it's with this admor dress this way bu my mind th An article not calling Gamergate Nazi women hunters was published on Mary Sue? The f k is going on bo Maybe t sta otice the wa ho ery sing ing. Any ts And yet tha a thing we're wrestling A fish do which it swims. Politics is rife in comics, because comics with now, but we're not really wrestling with that, we're wrestling with 'it's a whole new world, and weve lost manners along the way and we're beginning to percei that we need them. But to etiquette and things like that is kind of old fogey, so we're coming up with new terms stories about le who think and believe s---. Il them manners and](https://i.kym-cdn.com/photos/images/newsfeed/000/965/156/f84.png "Mary Sue Fails")
![□ The Man Behind Feminist Frequency Anonymous 09/21/14 (Sun) 22:26:45 ID: cc9a8 No.98045 File: 141 0492 (117 MB, 1455x1500, 97:100, jmff.jpg) The nan behind Feminist Frequency A Brief History of Literally Who 2 AU This video covers a series of events. A PR agent and a passionate propagandist with very specific views about morality met and created Feminist Freqency. The video argues that the focus on sex-negative feminism and tropes of video games may come from a white man named Jonathan McIntosh. Jonathan is the producer and co-writer of Feminist Frequency This man is your ENEMY >LETS LEARN MORE ABOUT JONATHAN MCINTOSH In 2008, Jonathan McIntosh did a talk for Ars Electronica. You can watch that video on youtube. It explains how he remixes and makes propaganda out of video in order to evoke a certain feeling in the viewer. He calls it Political Remix Video You can watch the video here: https://ww youtube.com watch? 三 wp19 TnuBO He righte for CORRUPTION But what's more interesting to me is the Essay he wrote for the Ars Electronica 2008 catalog, "A New Cultural Economy". Here is the essay in it's entirety: in LMu >QUOTES: Try to think about this in terms of Feminist Frequency > The work's content is not confined to government, leaders, and elections but also focuses on critical consciousness to engage issues of media, culture, economics, race, gender, sexuality and class. The source media and materials come primarily from pre-existing mass media fragments that are captured and re-cut to create new transformed or re-framed messages. Sound familiar? > PRV [Political Remix Video] artists also mimic many of the same visual and narrative devices of the dominant media such as sensationalism, humor, irony emotional triggers and cynicism. This generates credibility for the work with the viewers because the source material is already familiar to the public and has a certain amount of built in cultural meaning... Remixers are not critiquing the form mainstream media takes (as contemporary video art has done for decades) but rather borrowing and using it as a vehicle to deliver their own subversive messages. He's basically saying that editing videos to mimic "fake" news ala Daily Show can give the viewer the illusion that the material they are watching is credible. Notice how Feminist Frequency is shot and edited like a news program. I find it amazing that he goes ahead and admits that PRV is subversion. Anyway, I recommend reading the entire essay. Because it is essentially the blueprints for femfreq Also please spread this info around. One of the biggest problems feminism has is rich white dudes speaking for women. And Jonathan is definitely another one of those problems. □ Anonymous 09/21/14 (Sun) 22:27:32 ID: 47919 No.98058](https://i.kym-cdn.com/photos/images/list/000/834/350/d51.jpg "Get a load of Johnny MacIntosh")
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Uploaded May 19, 2015 at 09:15PM EDT
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