Dr. Ally Louks, the Cambridge PhD graduate who made the "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose" thesis and a tweet reacting to the viral post.

What's The 'Smells' PhD Discourse On Twitter About? Dr. Ally Louks' 'Olfactory Ethics' Thesis Explained

A PhD graduate from the University of Cambridge named Dr. Ally Louks went viral on Twitter / X over the weekend for a tweet in which she championed her thesis called "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose."

In an odd turn of events, Dr. Louks found herself at the center of viral discourse concerning people's gripes with academia, intellectualism and quote-unquote "woke" culture. Many of the reactions turned nasty as X users devolved into what some perceived as outright misogyny and racism. Her supporters squared off against her detractors in truly the most nothing of burgers.

So, what happened? Why did Dr. Ally Louks' PhD thesis on smells in English literature go viral and why did she receive so much backlash? Let's explain.

vittorio @IterIntellectus ⚫ Nov 30 . ••• burn it all to the ground OLFACTORY ETHICS: THE POLITICS OF SMELL IN MODERN AND CONTEMPORARY PROSE Dr Ally Louks @DrAllyLouks Nov 27 Thrilled to say I passed my viva with no corrections and am officially PhDone.


Who Is Dr. Ally Louks?

Dr. Ally Louks, real name Amelia Louks, is a teacher at the University of Cambridge who just received her Doctor of Philosophy (PhD) for her thesis called, "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose."

According to her staff page on the university website, Dr. Louks originally attended the University of Exeter where she received a Bachelor of Arts (BA) in English Literature. She later received her Master's at London's Global University (UCL).


What Is The 'Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose' PhD Thesis About?

Dr. Louks became a doctor of philosophy last month after completing her thesis "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose."

She shared the abstract on X over the weekend, further explaining the somewhat confusing title. In layman's terms, her thesis is about the function of smell description in English literature from the late 19th century to the present day. She argues that the description of smell can both break down and reinforce power structures divided by race, gender, class and even species.

Dr Ally Louks @DrAllyLouks Since there is some confusion about the nature of my ... research, here is the abstract for my PhD thesis, which I hope will provide more context for anyone interested in learning more about my work! Abstract This thesis studies how literature registers the importance of olfactory discourse-the language of smell and the olfactory imagination it creates-in structuring our social world. The broad aim of this thesis is to offer an intersectional and wide-ranging study of olfactory oppression by establishing the underlying logics that facilitate smell's application in creating and subverting gender, class, sexual, racial and species power structures. I focus largely on prose fiction from the modern and contemporary periods so as to trace the legacy of olfactory prejudice into today and situate its contemporary relevance. I suggest that smell very often invokes identity in a way that signifies an individual's worth and status in an inarguable manner that short-circuits conscious reflection. This can be accounted for by acknowledging olfaction's strongly affective nature, which produces such strong bodily sensations and emotions that reflexivity is bypassed in favour of a behavioural or cognitive solution that assuages the intense feeling most immediately. Olfactory disgust, therefore, tends to result in rejection, while harmful forms of olfactory desire may result in sublimation or subjugation. My thesis is particularly attentive to tensions and ambivalences that complicate the typically bifurcated affective spectrum of olfactory experiences, drawing attention to (dis)pleasurable olfactory relations that have socio-political utility. I argue that literary fiction is not only an arena in which olfactory logics can be instantiated, but also a laboratory in which possibilities for new kinds of relations and connections can be fostered and tested. Chapter One explores how smell can be used to indicate class antipathies, partly as they relate to homelessness, beginning with George Orwell's seminal non-fiction text, The Road to Wigan Pier (1936), before considering lain Sinclair's The Last London (2017) and Bong Joon Ho's Parasite (2019). In Chapter Two I explore the fantastical, idealistic, and utopic thinking that surrounds olfaction, which presents smell as fundamentally non-human, by addressing J. M. Coetzee's Disgrace (1999), Virginia Woolf's Flush (1933), Rachel Yoder's Nightbitch (2021), and Laura Jean McKay's The Animals in That Country (2020). Chapter Three focuses on the intersectional olfactory dimensions of 'misogynoir'-the coextensive anti-Black racism and misogyny that Black women experience-and considers Toni Morrison's Tar Baby (1981), Bernice McFadden's Sugar (2000) and Raven Leilani's Luster (2020). In Chapter Four, I conceptualise an oppressive olfactory logic, which is used against women and girls in order to legitimise their harassment or abuse, drawing primarily on Vladimir Nabokov's L----- (1955), but also Patrick Süskind's Perfume (1985). Chapter Five discusses two forms of olfactory desire-perversion and queerness-which have separate moral valences. I address J. M. Coetzee's The Master of Petersburg (1994), Ann Quin's Berg (1964), and Sam Byers' Come Join Our Disease (2020), and argue for fiction's role in reorienting readers' habitual relations to olfaction. 6:11 AM Nov 29, 2024 • 4.4M Views


Why Did This Go Viral On Twitter / X?

Dr. Ally Louks didn't have a major following on X, "the everything app," before she posted about earning her PhD. Last Wednesday, she wrote in a tweet, "Thrilled to say I passed my viva with no corrections and am officially PhDone."

Dr Ally Louks @DrAllyLouks Thrilled to say I passed my viva with no corrections and am officially PhDone. OLFACTORY ETHICS: THE POLITICS OF SMELL IN MODERN AND CONTEMPORARY PROSE AMELIA MARY LOUKS Ph.D. 2024 . 3:38 PM Nov 27, 2024 42M Views


What was supposed to be a positive announcement became a topic of viral debate a few days later when non-followers decided to quote tweet Dr. Louks' post to joke about the seemingly nonsensical, overly heady and likely redundant subject matter. "I kid you not – this is an actual thesis from a PhD…" the original quote tweeter joked.

Her detractors splintered off into different, yet similar criticisms of Dr. Louks' study. "Burn it all to the ground," said one X user, referring to academia as a whole. "10 years of childbearing youth that she'll never regain," said another viral tweet, inferring that she'd not only wasted her time but also the time of the patriarchy's bloodline.

As her opponents got louder, people came to defend Dr. Louks and, in turn, also came to defend academia, intellectualism and women's rights. For instance, in response to "Burn it all to the ground," one X user remarked, "Anti-intellectualism is one of the main characteristics of fascism by the way."

The discussion only got louder from there, throwing itself into the feeds of anyone scrolling on X.

lundyn @scorpiovenus44 Follow anti-intellectualism is one of the main characteristics of fascism by the way vittorio @IterIntellectus • Nov 30 burn it all to the ground x.com/DrAllyLouks/st... OLFACTORY ETHICS: THE POLITICS OF SMELL IN MODERN AND CONTEMPORARY PROSE • 9:19 PM Dec 1, 2024 2.4M Views



For the full history of Dr. Ally Louks' "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose" PhD Study, be sure to check out Know Your Meme's entry for even more information.




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