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On the "Letter From Home" tracks from "The Private Press" by DJ Shadow and the impermanence of things

The most obvious - and most extreme - examples of privately pressed pieces that ended up on the record are the Recordio Discs that wound up in the opening and closing ‘Letter From Home' tracks. One-off recordings pressed onto cardboard and designed to be sent by their maker to their single recipient by post, these were anomalies even among the obscurity- obsessed crate-digger community Shadow was almost an adjunct professor of at the turn of the century. Not really records, they didn't turn up in second hand record shops, and when people did unearth them, they'd often be hiding alongside personal letters or private mementoes in the kind of places that ended up with the unwanted portions of house-clearance sales. Today we would perhaps interpret them as aural selfies, albeit ones created by a generation that still retained a rote form of formality when sending messages that email and SMS has all but obliterated: Novella Johnson signs her audio postcard, and puts her address at the top, like a letter. (Go online you discover even the street she was "writing" from no longer exists; past is forever being rewritten, and not just by DJs making sonic collages.) and the

The most obvious - and most extreme - examples of privately pressed pieces that ended up on the record are the Recordio Discs that wound up in the opening and closing ‘Letter From Home' tracks. One-off recordings pressed onto cardboard and designed to be sent by their maker to their single recipient by post, these were anomalies even among the obscurity- obsessed crate-digger community Shadow was almost an adjunct professor of at the turn of the century. Not really records, they didn't turn up in second hand record shops, and when people did unearth them, they'd often be hiding alongside personal letters or private mementoes in the kind of places that ended up with the unwanted portions of house-clearance sales. Today we would perhaps interpret them as aural selfies, albeit ones created by a generation that still retained a rote form of formality when sending messages that email and SMS has all but obliterated: Novella Johnson signs her audio postcard, and puts her address at the top, like a letter. (Go online you discover even the street she was "writing" from no longer exists; past is forever being rewritten, and not just by DJs making sonic collages.) and the

dj shadow the private press the quietus

Y el DJ que lo conoce toca el himno de las 12

sir could you please turn off the 2002 hit single The Ketchup Song (Aserejé) sure but it's the only thing preventing my friend from singing it out loud y la baila y la goza y la canta Para Diego la canción más deseada Asereh? Ha! Heh heh.

sir could you please turn off the 2002 hit single The Ketchup Song (Aserejé) sure but it's the only thing preventing my friend from singing it out loud y la baila y la goza y la canta Para Diego la canción más deseada Asereh? Ha! Heh heh.

the ketchup song (aserejé) aserejé las ketchup hijas del tomate flight ipad /r/bonehurtingjuice

An explanation of the copyright length for pre-February 15, 1972 recordings in the United States, courtesy of Wikimedia Commons

Ⓒ This sound recording was first fixed prior to February 15, 1972. Under Title II (Classics Protection and Access) of the Orrin G. Hatch-Bob Goodlatte Music Modernization Act, which was signed into law on October 11, 2018, sound recordings that were first fixed prior to February 15, 1972 are protected from unauthorized use in the United States as follows: • Recordings that were first published prior to 1923 entered the public domain on January 1, 2022. • Recordings that were first published between 1923 and 1946 are copyrighted for a period of 100 years after first publication. • Recordings that were first published between 1947 and 1956 are copyrighted for a period of 110 years after first publication. • Recordings that were published after 1956 and first fixed prior to February 15, 1972 will enter the public domain on February 15, 2067. Note that sound recordings that were first fixed prior to February 15, 1972 are a special case under US copyright law and are not subject to the same formalities as other works. In particular, the terms of protection given above for pre-1972 recordings apply regardless of whether a recording was published with a copyright notice, or whether a recording was registered with the US Copyright Office, or whether a recording's rights were renewed. Files bearing this tag may be deleted in the future, depending on the outcome of community discussions and new case law. If you are the rights holder of this sound recording and do not wish to have it hosted on Commons, please contact our designated agent.

Ⓒ This sound recording was first fixed prior to February 15, 1972. Under Title II (Classics Protection and Access) of the Orrin G. Hatch-Bob Goodlatte Music Modernization Act, which was signed into law on October 11, 2018, sound recordings that were first fixed prior to February 15, 1972 are protected from unauthorized use in the United States as follows: • Recordings that were first published prior to 1923 entered the public domain on January 1, 2022. • Recordings that were first published between 1923 and 1946 are copyrighted for a period of 100 years after first publication. • Recordings that were first published between 1947 and 1956 are copyrighted for a period of 110 years after first publication. • Recordings that were published after 1956 and first fixed prior to February 15, 1972 will enter the public domain on February 15, 2067. Note that sound recordings that were first fixed prior to February 15, 1972 are a special case under US copyright law and are not subject to the same formalities as other works. In particular, the terms of protection given above for pre-1972 recordings apply regardless of whether a recording was published with a copyright notice, or whether a recording was registered with the US Copyright Office, or whether a recording's rights were renewed. Files bearing this tag may be deleted in the future, depending on the outcome of community discussions and new case law. If you are the rights holder of this sound recording and do not wish to have it hosted on Commons, please contact our designated agent.

copyright music modernization act wikimedia commons

Y el corazón, tucún-tucún-tucún (in Spanish)

CARLOS EL bastardo QUE mi hermano mató a

CARLOS EL bastardo QUE mi hermano mató a

canserbero es épico carlos el topo que gira crash bandicoot

The full cover of “Endtroducing.....” (1996)

haun Croidy ZALAST WANDER COM ELL 2442 FLASH PLAASS M MY CARTER ARGT THE ww RE w MARIO BROS. HOME 4 ER SVANS ALMA Mo O ● 40 GENTLEMAN VICTIM

haun Croidy ZALAST WANDER COM ELL 2442 FLASH PLAASS M MY CARTER ARGT THE ww RE w MARIO BROS. HOME 4 ER SVANS ALMA Mo O ● 40 GENTLEMAN VICTIM

endtroducing..... dj shadow rare records chief xcel lyrics born

Aaaah yeah the famous singer 😍

CLUB Dia CONECTADO Dia lupa ACTICAS AUTOESCUELA NOVEL PRACTICAS AUTOESCUELA NOVEL

CLUB Dia CONECTADO Dia lupa ACTICAS AUTOESCUELA NOVEL PRACTICAS AUTOESCUELA NOVEL

dua lipa día lupa spain españa mmmarois

Illya Kuryaki & the Valderramas with Carlos "El Pibe" Valderrama

UMn

UMn

illya kuryaki and the valderramas carlos valderrama

MFW mf to mf

When your life is going nowhere mf 5 mf ra 6 Source: youknowyoureabandgeek 8,847 notes

When your life is going nowhere mf 5 mf ra 6 Source: youknowyoureabandgeek 8,847 notes

sheet music mf mezzoforte

potato

it's good music to eat potatoes to lamevn 1 year ago 36

it's good music to eat potatoes to lamevn 1 year ago 36

Anatomy of songs

anatomy of songs Indie 0:00 3:00 banjo hey! twtysomething e faster problems banio Country 0:00 3:00 4chord intro trucks, heartbreak, momma said, twang)y America, dirt roads, Tesus bits Blues 0:00 3:00 guitar complaining more guitar Po 0p 0:00 3:00 80s auto-tune sample weird key lazy change fadeout Classic Rock 0:00 3:00 come on! guitar solo s, girls drum solo all right! car wronghands1.wordpress.com Ohn Atkinson, Wrong Hands

anatomy of songs Indie 0:00 3:00 banjo hey! twtysomething e faster problems banio Country 0:00 3:00 4chord intro trucks, heartbreak, momma said, twang)y America, dirt roads, Tesus bits Blues 0:00 3:00 guitar complaining more guitar Po 0p 0:00 3:00 80s auto-tune sample weird key lazy change fadeout Classic Rock 0:00 3:00 come on! guitar solo s, girls drum solo all right! car wronghands1.wordpress.com Ohn Atkinson, Wrong Hands

music country pop anatomy blues indie classic rock

MTV Music Videos

BACK IN MY DAY, MTV PLAYED MUSIC VIDEOS EVEN THE TVSHOWS PLAYED F------ MUSIC VIDEOS

BACK IN MY DAY, MTV PLAYED MUSIC VIDEOS EVEN THE TVSHOWS PLAYED F------ MUSIC VIDEOS

music cartoon music videos series comedy 90's classic show childhood beavis and butthead beavis butthead myv back in the day