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Dr. Ally Louks' "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose" PhD Study - Images (25 results)

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crows feet and no children

WeWillOwnNothing ❤ @AndB3Happy crows feet and no children. Follow you literally have lived in the most advantaged time in all of human history for women and after 40 years have literally nothing of any real value to show for it and your bloodline will end with you due to your need to "stick it to the evil man" by getting an "education". for over a decade you have spat in the face of your thousands of ancestors that risked their lives fighting mountain lions so that they could provide a better life for their children and you will eventually die having been a massive net negative for both the world and our species. the witch hunts cannot happen soon enough 4:41 am . 1/12/2024 3.2K Views Q7 275 183 6 ↑
WeWillOwnNothing ❤ @AndB3Happy crows feet and no children. Follow you literally have lived in the most advantaged time in all of human history for women and after 40 years have literally nothing of any real value to show for it and your bloodline will end with you due to your need to "stick it to the evil man" by getting an "education". for over a decade you have spat in the face of your thousands of ancestors that risked their lives fighting mountain lions so that they could provide a better life for their children and you will eventually die having been a massive net negative for both the world and our species. the witch hunts cannot happen soon enough 4:41 am . 1/12/2024 3.2K Views Q7 275 183 6 ↑

Dr. Ally Louks' "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose" PhD Study

anti-intellectualism is one of the main characteristics of fascism by the way

lundyn @scorpiovenus44 Follow anti-intellectualism is one of the main characteristics of fascism by the way vittorio @IterIntellectus • Nov 30 burn it all to the ground x.com/DrAllyLouks/st... OLFACTORY ETHICS: THE POLITICS OF SMELL IN MODERN AND CONTEMPORARY PROSE • 9:19 PM Dec 1, 2024 2.4M Views
lundyn @scorpiovenus44 Follow anti-intellectualism is one of the main characteristics of fascism by the way vittorio @IterIntellectus • Nov 30 burn it all to the ground x.com/DrAllyLouks/st... OLFACTORY ETHICS: THE POLITICS OF SMELL IN MODERN AND CONTEMPORARY PROSE • 9:19 PM Dec 1, 2024 2.4M Views

Dr. Ally Louks' "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose" PhD Study

you ever spend 100 large to learn that Actually homeless people aren't stinky and Actually girls' hair doesn't smell nice

Bennett's Phylactery @extradeadjcb ... you ever spend 100 large to learn that Actually homeless people aren't stinky and Actually girls' hair doesn't smell nice Dr Ally Louks @DrAllyLouks Nov 27 Thrilled to say I passed my viva with no corrections and am officially PhDone. OLFACTORY ETHICS: THE POLITICS OF SMELL IN MODERN AND CONTEMPORARY PROSE AMELIA MARY LOUKS Ph.D. 2024 5:22 PM Nov 30, 2024 151.4K Views
Bennett's Phylactery @extradeadjcb ... you ever spend 100 large to learn that Actually homeless people aren't stinky and Actually girls' hair doesn't smell nice Dr Ally Louks @DrAllyLouks Nov 27 Thrilled to say I passed my viva with no corrections and am officially PhDone. OLFACTORY ETHICS: THE POLITICS OF SMELL IN MODERN AND CONTEMPORARY PROSE AMELIA MARY LOUKS Ph.D. 2024 5:22 PM Nov 30, 2024 151.4K Views

Dr. Ally Louks' "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose" PhD Study

"Olfactory oppression" is my new favorite phrase

memetic_sisyphus @memeticsisyphus "Olfactory oppression” is my new favorite phrase. Abstract This thesis studies how literature registers the importance of olfactory discourse-the language of smell and the olfactory imagination it creates-in structuring our social world. The broad aim of this thesis is to offer an intersectional and wide-ranging study of olfactory oppression by establishing the underlying logics that facilitate smell's application in creating and subverting gender, class, sexual, racial and species power structures. I focus largely on prose fiction from the modern and contemporary periods so as to trace the legacy of olfactory
memetic_sisyphus @memeticsisyphus "Olfactory oppression” is my new favorite phrase. Abstract This thesis studies how literature registers the importance of olfactory discourse-the language of smell and the olfactory imagination it creates-in structuring our social world. The broad aim of this thesis is to offer an intersectional and wide-ranging study of olfactory oppression by establishing the underlying logics that facilitate smell's application in creating and subverting gender, class, sexual, racial and species power structures. I focus largely on prose fiction from the modern and contemporary periods so as to trace the legacy of olfactory

Dr. Ally Louks' "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose" PhD Study

Never been wrong in my life

pagliacci the hated never been wrong in my life @Slatzism Nov 30 pagliacci the hated @Slatzism ppl on twitter who push that they're "Dr" or "PhD" in their usernames are always just sociology grads who wrote a useless dissertation on Unpacking the Postcolonial Epistemology of Teletubbies or some stupid s--- Dr Ally Louks @DrAllyLouks • Nov 27 Thrilled to say I passed my viva with no corrections and am officially PhDone.
pagliacci the hated never been wrong in my life @Slatzism Nov 30 pagliacci the hated @Slatzism ppl on twitter who push that they're "Dr" or "PhD" in their usernames are always just sociology grads who wrote a useless dissertation on Unpacking the Postcolonial Epistemology of Teletubbies or some stupid s--- Dr Ally Louks @DrAllyLouks • Nov 27 Thrilled to say I passed my viva with no corrections and am officially PhDone.

Dr. Ally Louks' "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose" PhD Study

burn it all to the ground

vittorio @IterIntellectus ⚫ Nov 30 . ••• burn it all to the ground OLFACTORY ETHICS: THE POLITICS OF SMELL IN MODERN AND CONTEMPORARY PROSE Dr Ally Louks @DrAllyLouks Nov 27 Thrilled to say I passed my viva with no corrections and am officially PhDone.
vittorio @IterIntellectus ⚫ Nov 30 . ••• burn it all to the ground OLFACTORY ETHICS: THE POLITICS OF SMELL IN MODERN AND CONTEMPORARY PROSE Dr Ally Louks @DrAllyLouks Nov 27 Thrilled to say I passed my viva with no corrections and am officially PhDone.

Dr. Ally Louks' "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose" PhD Study

I kid you not - this is an actual thesis from a PhD in "Olfactory Ethics"

Justin Hart @justin_hart Subscribe ... I kid you not - this is an actual thesis from a PhD in "Olfactory Ethics" From her thesis: "The broad aim of this thesis is to offer an intersectional and wide-ranging study of olfactory oppression by establishing the underlying logics that facilitate smell's application in creating and subverting gender, class, sexual, racial and species power structures." Dr Ally Louks @DrAllyLouks Nov 27 Thrilled to say I passed my viva with no corrections and am officially PhDone. OLFACTORY ETHICS: THE POLITICS OF SMELL IN MODERN AND CONTEMPORARY PROSE 232 AMELIA MARY LOUKS Ph.D. 2024 9:13 AM Nov 30, 2024 499.2K Views
Justin Hart @justin_hart Subscribe ... I kid you not - this is an actual thesis from a PhD in "Olfactory Ethics" From her thesis: "The broad aim of this thesis is to offer an intersectional and wide-ranging study of olfactory oppression by establishing the underlying logics that facilitate smell's application in creating and subverting gender, class, sexual, racial and species power structures." Dr Ally Louks @DrAllyLouks Nov 27 Thrilled to say I passed my viva with no corrections and am officially PhDone. OLFACTORY ETHICS: THE POLITICS OF SMELL IN MODERN AND CONTEMPORARY PROSE 232 AMELIA MARY LOUKS Ph.D. 2024 9:13 AM Nov 30, 2024 499.2K Views

Dr. Ally Louks' "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose" PhD Study

The abstract

Dr Ally Louks @DrAllyLouks Since there is some confusion about the nature of my ... research, here is the abstract for my PhD thesis, which I hope will provide more context for anyone interested in learning more about my work! Abstract This thesis studies how literature registers the importance of olfactory discourse-the language of smell and the olfactory imagination it creates-in structuring our social world. The broad aim of this thesis is to offer an intersectional and wide-ranging study of olfactory oppression by establishing the underlying logics that facilitate smell's application in creating and subverting gender, class, sexual, racial and species power structures. I focus largely on prose fiction from the modern and contemporary periods so as to trace the legacy of olfactory prejudice into today and situate its contemporary relevance. I suggest that smell very often invokes identity in a way that signifies an individual's worth and status in an inarguable manner that short-circuits conscious reflection. This can be accounted for by acknowledging olfaction's strongly affective nature, which produces such strong bodily sensations and emotions that reflexivity is bypassed in favour of a behavioural or cognitive solution that assuages the intense feeling most immediately. Olfactory disgust, therefore, tends to result in rejection, while harmful forms of olfactory desire may result in sublimation or subjugation. My thesis is particularly attentive to tensions and ambivalences that complicate the typically bifurcated affective spectrum of olfactory experiences, drawing attention to (dis)pleasurable olfactory relations that have socio-political utility. I argue that literary fiction is not only an arena in which olfactory logics can be instantiated, but also a laboratory in which possibilities for new kinds of relations and connections can be fostered and tested. Chapter One explores how smell can be used to indicate class antipathies, partly as they relate to homelessness, beginning with George Orwell's seminal non-fiction text, The Road to Wigan Pier (1936), before considering lain Sinclair's The Last London (2017) and Bong Joon Ho's Parasite (2019). In Chapter Two I explore the fantastical, idealistic, and utopic thinking that surrounds olfaction, which presents smell as fundamentally non-human, by addressing J. M. Coetzee's Disgrace (1999), Virginia Woolf's Flush (1933), Rachel Yoder's Nightbitch (2021), and Laura Jean McKay's The Animals in That Country (2020). Chapter Three focuses on the intersectional olfactory dimensions of 'misogynoir'-the coextensive anti-Black racism and misogyny that Black women experience-and considers Toni Morrison's Tar Baby (1981), Bernice McFadden's Sugar (2000) and Raven Leilani's Luster (2020). In Chapter Four, I conceptualise an oppressive olfactory logic, which is used against women and girls in order to legitimise their harassment or abuse, drawing primarily on Vladimir Nabokov's L----- (1955), but also Patrick Süskind's Perfume (1985). Chapter Five discusses two forms of olfactory desire-perversion and queerness-which have separate moral valences. I address J. M. Coetzee's The Master of Petersburg (1994), Ann Quin's Berg (1964), and Sam Byers' Come Join Our Disease (2020), and argue for fiction's role in reorienting readers' habitual relations to olfaction. 6:11 AM Nov 29, 2024 • 4.4M Views
Dr Ally Louks @DrAllyLouks Since there is some confusion about the nature of my ... research, here is the abstract for my PhD thesis, which I hope will provide more context for anyone interested in learning more about my work! Abstract This thesis studies how literature registers the importance of olfactory discourse-the language of smell and the olfactory imagination it creates-in structuring our social world. The broad aim of this thesis is to offer an intersectional and wide-ranging study of olfactory oppression by establishing the underlying logics that facilitate smell's application in creating and subverting gender, class, sexual, racial and species power structures. I focus largely on prose fiction from the modern and contemporary periods so as to trace the legacy of olfactory prejudice into today and situate its contemporary relevance. I suggest that smell very often invokes identity in a way that signifies an individual's worth and status in an inarguable manner that short-circuits conscious reflection. This can be accounted for by acknowledging olfaction's strongly affective nature, which produces such strong bodily sensations and emotions that reflexivity is bypassed in favour of a behavioural or cognitive solution that assuages the intense feeling most immediately. Olfactory disgust, therefore, tends to result in rejection, while harmful forms of olfactory desire may result in sublimation or subjugation. My thesis is particularly attentive to tensions and ambivalences that complicate the typically bifurcated affective spectrum of olfactory experiences, drawing attention to (dis)pleasurable olfactory relations that have socio-political utility. I argue that literary fiction is not only an arena in which olfactory logics can be instantiated, but also a laboratory in which possibilities for new kinds of relations and connections can be fostered and tested. Chapter One explores how smell can be used to indicate class antipathies, partly as they relate to homelessness, beginning with George Orwell's seminal non-fiction text, The Road to Wigan Pier (1936), before considering lain Sinclair's The Last London (2017) and Bong Joon Ho's Parasite (2019). In Chapter Two I explore the fantastical, idealistic, and utopic thinking that surrounds olfaction, which presents smell as fundamentally non-human, by addressing J. M. Coetzee's Disgrace (1999), Virginia Woolf's Flush (1933), Rachel Yoder's Nightbitch (2021), and Laura Jean McKay's The Animals in That Country (2020). Chapter Three focuses on the intersectional olfactory dimensions of 'misogynoir'-the coextensive anti-Black racism and misogyny that Black women experience-and considers Toni Morrison's Tar Baby (1981), Bernice McFadden's Sugar (2000) and Raven Leilani's Luster (2020). In Chapter Four, I conceptualise an oppressive olfactory logic, which is used against women and girls in order to legitimise their harassment or abuse, drawing primarily on Vladimir Nabokov's L----- (1955), but also Patrick Süskind's Perfume (1985). Chapter Five discusses two forms of olfactory desire-perversion and queerness-which have separate moral valences. I address J. M. Coetzee's The Master of Petersburg (1994), Ann Quin's Berg (1964), and Sam Byers' Come Join Our Disease (2020), and argue for fiction's role in reorienting readers' habitual relations to olfaction. 6:11 AM Nov 29, 2024 • 4.4M Views

Dr. Ally Louks' "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose" PhD Study

The original tweet

Dr Ally Louks @DrAllyLouks Thrilled to say I passed my viva with no corrections and am officially PhDone. OLFACTORY ETHICS: THE POLITICS OF SMELL IN MODERN AND CONTEMPORARY PROSE AMELIA MARY LOUKS Ph.D. 2024 . 3:38 PM Nov 27, 2024 42M Views
Dr Ally Louks @DrAllyLouks Thrilled to say I passed my viva with no corrections and am officially PhDone. OLFACTORY ETHICS: THE POLITICS OF SMELL IN MODERN AND CONTEMPORARY PROSE AMELIA MARY LOUKS Ph.D. 2024 . 3:38 PM Nov 27, 2024 42M Views

Dr. Ally Louks' "Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose" PhD Study
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