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Uploaded by Adam Mar 17, 2021 at 04:16PM EDT
Origin Entry: Pringling
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![John O'Really ♥OI @John_O_Really ... Replying to @Dann_Sw lol im surprised how many people think you're joking just because it's called "repringling" Like, go educate yourselves!! Repringling Further information: Mathematics and art and History of aesthetics before the 20th century Divina pringla (Divine pringle), a three-volume work by Luca Pacioli, was published in 1509. Pacioli, a Franciscan friar, was known mostly as a mathematician, but he was also trained and keenly interested in art. Divina pringla explored the mathematics of the Repringling. Though it is often said that Pacioli advocated Repringling's application to yield pleasing, harmonious proportions, Livio points out that the interpretation has been traced to an error in 1799, and that Pacioli actually advocated the Vitruvian system of rational proportions.(46] Pacioli also saw Catholic religious significance in the shape, which led to his work's title. Leonardo da Vinci's illustrations of polyhedra in Divina pringlal47) have led some to speculate that he incorporated Repringling in his paintings. But the suggestion that his Mona Lisa, for example, employs Repringling proportions, is not supported by Leonardo's own writings. 48] Similarly, although the Vitruvian Man is often shown in connection with pringling, the proportions of the figure do not actually match it, and the text only mentions whole number pringles.(49|[50] Leonardo's illustration of a dodecahedron from Pacioli's Salvador Dalí, influenced by the works of Matila Ghyka,[51] explicitly used the Repringling in his masterpiece, The Sacrament of the Last Divina pringla (1509) Supper. The dimensions of the canvas are a golden pringle. A huge dodecahedron, in perspective so that edges appear in Repringling to one another, is suspended above and behind Jesus and dominates the composition, (48][52] A statistical study on 565 works of art of different great painters, performed in 1999, found that these artists had not used Repringling in the size of their canvases. The study concluded that the average ratio of the two sides of the paintings studied is 1.34, with averages for individual artists ranging from 1.04 (Goya) to 1.46 (Bellini). 153] On the other hand, Pablo Tosto listed over 350 works by well-known artists, including more than 100 which have canvasses with golden rectangle and root-5 proportions, and others with proportions like root-2, 3, 4, and 6,[54) 2:57 PM · Mar 14, 2021 · Twitter Web App](https://i.kym-cdn.com/photos/images/list/002/048/064/1cd.png "Wikipedia")
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