TOTALLY. B-BUT TH-THAT WOULD BE.. RIPPING OFF, YOu KNOW, P-PLAGIARISM. ) Huh!? BUT THAT'S WHAT EVERY PROFESSIONAL MANGA ARTIST DOES!! 에。 MANGA IN A NUTSHELL buster hit, tons of Yamagami imitators suddenly appeared. Lately we've been seeing a lot of work Stealing Is the Essence of Mangal that clearly rips of Katsuhiro Oromo. (Weve The famous observation, "Manga is a language Pose Collection" by actually Xeroxing drawings Stealing Is the Essence of Mangal even heard of one guy who created an Akira of symbols," was made by the late Osamu from Akira!) Tezuka. This statement truly captures the It might be easy to scoff at this kind of stuff, but the "sharing" of technique is necessary for Before being a "drawing," a manga image is a manga. Manga flourished thanks to the fact that symbol. And because symbols enable everyone no one got upset over incremental imitations. The to mutually understand and create meaning, the reason why "ripping off never became techniques involved in manga must be accessible controversial was because virtually all postwar narrative manga-technique included-were one essence of manga. to everyone. For example, when Gakideka became a block way or another rip-offs of Osamu Tezuka BUT TAKEKuMA... WOW YOU'RE RIGHT. EVEN I CAN DRAW WELL, IF I LOOK AND-DRAVW LIKE THIS. HA HA HA! ALMOST ANY POSE YOu CAN THINK OF HAS ALREADY BEEN DRAWN BY ALL YOu HAVE TO DO IS COPY YOUR OWN FACIAL SOME OTHER MANGA ARTIST. THAT POSE AND ATTACH DRAWING TO IT-AND YOU'RE DONE! 26

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I WAS PROMISED A GOOD FIGHT TODAY! NOW, WHAT CHALLENGE DID YOU SURPRISE ME WITH?! 노 M 1 ① !! ARE YOU KIDDING ME?! HEY, IT'S NOT MY FAULT! THE QUEST INFO STATED: "NUMEROUS VICIOUS FOES DESTROYING FIELDS BY NIGHT" I DIDN'T EXPECT IT TO JUST BE A FEW GOBLINS WITH CLUBS..

BUT.. THERE ARE FYIRA DID YOU GET THE ITEMS FROM THE QUEST TODAY? I DID! ALL FIVE OF THEM, JUST LIKE YOU SAID. ONLY FOUR OF THEM? FOUR? NO.. THAT'S ONE! 1 3 2 THAT'S... NOT HOW COUNTING WORKS.. IT WORKS FOR ME, SO IT'S FINE RIGHT? IT DOESN'T HURT ANYONE ELSE HOW I COUNT! THREE! UHH.. TWO! AND FIVE! 5 ALL THERE! I CAN THINK OF MULTIPLE SITUATIONS WHERE IT WOULD.

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TOTALLY. B-BUT TH-THAT WOULD BE.. RIPPING OFF, YOu KNOW, P-PLAGIARISM. ) Huh!? BUT THAT'S WHAT EVERY PROFESSIONAL MANGA ARTIST DOES!! 에。 MANGA IN A NUTSHELL buster hit, tons of Yamagami imitators suddenly appeared. Lately we've been seeing a lot of work Stealing Is the Essence of Mangal that clearly rips of Katsuhiro Oromo. (Weve The famous observation, "Manga is a language Pose Collection" by actually Xeroxing drawings Stealing Is the Essence of Mangal even heard of one guy who created an Akira of symbols," was made by the late Osamu from Akira!) Tezuka. This statement truly captures the It might be easy to scoff at this kind of stuff, but the "sharing" of technique is necessary for Before being a "drawing," a manga image is a manga. Manga flourished thanks to the fact that symbol. And because symbols enable everyone no one got upset over incremental imitations. The to mutually understand and create meaning, the reason why "ripping off never became techniques involved in manga must be accessible controversial was because virtually all postwar narrative manga-technique included-were one essence of manga. to everyone. For example, when Gakideka became a block way or another rip-offs of Osamu Tezuka BUT TAKEKuMA... WOW YOU'RE RIGHT. EVEN I CAN DRAW WELL, IF I LOOK AND-DRAVW LIKE THIS. HA HA HA! ALMOST ANY POSE YOu CAN THINK OF HAS ALREADY BEEN DRAWN BY ALL YOu HAVE TO DO IS COPY YOUR OWN FACIAL SOME OTHER MANGA ARTIST. THAT POSE AND ATTACH DRAWING TO IT-AND YOU'RE DONE! 26

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