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Goth - Four Doors To The Future: Gothic Rock Is Their Thing #2

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mischievous miniskirts sipped dai- seems to be the road toward free quiris and waited for Morrison to dom, show. No one was sure he would. Morrison writes nearly all of the But Andy Warhol walked in, and Doors' lyrics, and his work does everybody breathed a sigh of relief nave eanng. There are rock cri- to find that this indeed was the tics in our time, and when they place to be speak of Morrison's 】yrics, visions There is a story of the meeting of Baudelaire, Rimbaud, Joyce and of two electric world-historical Artaud pop out of their critiques. heroes: that is, Jim Morrison and But hard rock was never meant Nico, underground film star and for academicism. There is truth singer with Warhol's Velvet in the Doors' beat which drives Underground. It was love at first home the meaning o ther as- sight which later grew into lust, cination wth symbolism, streams according to a frlend of Morrison. of consciousness, cruclty and the Anyway, Warhol seems to be in- bizarre in whatever form. That's terested in Morrison's potential as where the Doors are a movie star The themes, symbols and im- agery of the Doors are stronger Morrison Makes Entrance in their second album, which manages to transcend the fever- Suddenly all eyes turned to the pltch intensity and macabre beau door, where Morrisn was making ty of their first. The Doors have another entrance, sweeping into grown, a good sign. the room and gathering up the significantly titled “Strange adulation to put in the pocket of Days," the his lea ther jacket new album's music is just as erotic, just as hard-driv- He put his arm around a re- ing, just as compelling but twice porter, spilling his drink, and as terrifying as thelr first effort. compelled him toward the bar. A h Morrison has beenRock Stasis Is Bad Rock Stasis Is Bad asked before came out somehow "Jim, were you stoned up there on stage?" And back. “Man, I'm always stoned. The album contains neither the the reply came sophistication and cautious optim ., ism of the Beatles, nor the self- conscious hedonism of the Rolling But apparently Morrison is not Stones. The Doors are doing their into drugs but has stuck with the own thing, and innovation is bet- old American stand-by, alcohol. ter than stasis as far as rock is He got his drink, spoke to the concerned. With the Doors, it's reporter in words which sailed getting better all the time over his head and bounced off the Even the name walls of the wine cellar like dead tennis balls. Morrison caromed off and hugged a chick. He was in his element. Al the eyes were his. is slgnificant Morrison once explained why it exists: “We're the Doors because you go into a strange town, you check into a hotel. Then after you "You could say it's an accident have played your gig, you go back that I was ideally sulted for the to your room, down an endless work I am doing," says Morrison. corridor lined with doors unttl you "It's the feellng of a bow string get to your own. betng pulled back for 22 years and "But when you open the door suddenly being let go. you find there are lots of people "I am Interested in anything inside, and you wonder: Am I in about revolt, disorder, chaos, es- the wrong room? Or is it some pecially activity that seems to kind of party?" COPYRIGHT © WILLIAMS RECORD MILDEQUATOR.COM

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