USCSchool of Cinematic Arts Motion Picture Classifications Motion Picture Any series of pictures projected in uccession to create the ilhzion of movement. Examples A Trip to the Moon (1902) Kumaré (2011) Feature Photoplay The application of motion picture to present a narrative (though not necessarily normative). Examples Reseivoir Dogs (1992) Rocky Hoinor Pictue Show (1975) Motion pictures with entirely no arrat tive goals; photograplhic montage Examples 13 Lakes (2004) Joint Movie Film A feature dedicated to monetaiy uccess and lacking complex themes, utilizing noted actoiís). Examples The Inteiview (2014) Jack and Jill (2011) A featue created primarily for the audience and prioritizing entertainument. Examples Panic Room (2002) The Americanization of Emily (1964) A feature created for both the auclience and the filım-makers; often called 'art film' for its substance. Examples Solari (1972) The Color of Pomegranates (1969) Flick Cinerama Cinéma Featue focused on money but containing a semblance of saubstanee not quite a movie. Examples The Avengers (2012) Sixteen Candles (1984) Movie with a formal, theatrical aspect, often bridging the gap between movie and film. Examples Battle of the Bulge (1965) Khaitoum (1966) A film that entirely prioritizes ubstance over audience: often inaccessible to casual viewers. Ex Det sjunde inseglet (1957) Bocxot eHIDe (1977) Cinématographe Kinography A film bridging features and photoplays, forgoing nairative in a but the most broad see. Examples Un Chien Andalou (1929) Le Sang dun Poéte (1930) Photoplay utilizing partially or entirely self-made frames, movement made art. Examples The Dante Quartet (1987) Mothlight (1963) *Veitovis often considered the 'father' of kinography but in his desire to prohice a so-called 'ABSOLUTE KINOGRAPHY' it makes sense to dihite his work to the purest fom photoplay itself D---, Bernard F. Anatomy of Film Boston, Mass.: Bedford/St. Martin's, c2003. DP/30: The Oral History of Hollywood Los Angeles, Cali: "Melancholia", Sep 2011 Call no.: 791.43 DIC, library@esplanade Fimmaker's Dictionary. 2nd Ed. 2000 Call No.: RART 791.4303 SIN terview with Kiefer Sutherland In Vertov, Dziga. Man with a Movie Camera, Absolute Kinography, and Radio-Eye, 1928 in Tsivian, Lines of Resistance, p319

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USCSchool of Cinematic Arts Motion Picture Classifications Motion Picture Any series of pictures projected in uccession to create the ilhzion of movement. Examples A Trip to the Moon (1902) Kumaré (2011) Feature Photoplay The application of motion picture to present a narrative (though not necessarily normative). Examples Reseivoir Dogs (1992) Rocky Hoinor Pictue Show (1975) Motion pictures with entirely no arrat tive goals; photograplhic montage Examples 13 Lakes (2004) Joint Movie Film A feature dedicated to monetaiy uccess and lacking complex themes, utilizing noted actoiís). Examples The Inteiview (2014) Jack and Jill (2011) A featue created primarily for the audience and prioritizing entertainument. Examples Panic Room (2002) The Americanization of Emily (1964) A feature created for both the auclience and the filım-makers; often called 'art film' for its substance. Examples Solari (1972) The Color of Pomegranates (1969) Flick Cinerama Cinéma Featue focused on money but containing a semblance of saubstanee not quite a movie. Examples The Avengers (2012) Sixteen Candles (1984) Movie with a formal, theatrical aspect, often bridging the gap between movie and film. Examples Battle of the Bulge (1965) Khaitoum (1966) A film that entirely prioritizes ubstance over audience: often inaccessible to casual viewers. Ex Det sjunde inseglet (1957) Bocxot eHIDe (1977) Cinématographe Kinography A film bridging features and photoplays, forgoing nairative in a but the most broad see. Examples Un Chien Andalou (1929) Le Sang dun Poéte (1930) Photoplay utilizing partially or entirely self-made frames, movement made art. Examples The Dante Quartet (1987) Mothlight (1963) *Veitovis often considered the 'father' of kinography but in his desire to prohice a so-called 'ABSOLUTE KINOGRAPHY' it makes sense to dihite his work to the purest fom photoplay itself D---, Bernard F. Anatomy of Film Boston, Mass.: Bedford/St. Martin's, c2003. DP/30: The Oral History of Hollywood Los Angeles, Cali: "Melancholia", Sep 2011 Call no.: 791.43 DIC, library@esplanade Fimmaker's Dictionary. 2nd Ed. 2000 Call No.: RART 791.4303 SIN terview with Kiefer Sutherland In Vertov, Dziga. Man with a Movie Camera, Absolute Kinography, and Radio-Eye, 1928 in Tsivian, Lines of Resistance, p319

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