I forgot my meds and wrote a short essay on RWBY. Here you go:
Alright, everybody. Team RWBY is getting a costume redesign. Apparently, there’s going to be a time jump. How long, I don’t know. Could be anywhere from a couple months to a couple years. And of course, the new costumes come with lots of new visual cues to pick apart. Time to play the internet’s favorite game: Speculation!
Weiss’ look has changed the least. She’s still in a frilly, elegant skirt, but it’s more princess-y than before, with the added jewelry, which is fitting since she is now in Atlas with her father and is expected to look good and regal. The dress-length version is more grown up, something common of all the redesigns, since all the characters are growing, both physically and emotionally. I wonder how much she’ll be wearing one over the other. There’s much less white and more blue. White is Weiss’ color, so a loss of white could indicate that her identity is being obscured. Noticeable is that her hair is still off to the side. From the beginning of the series, Weiss’ design has been clean and symmetrical, with a scar and hairstyle that breaks the symmetry, representing the conflict between her strict upbringing and the rebelliousness it inspires in her. That’s still present, but the strict part is ramped up. If she’s going to choose sides, she better do it soon or she’s going to be gobbled up by her family’s expectations.
Edit: Oh, wait. That's grey, not blue. Yeah, changed world view, like Weiss said above.
The coat and boots make her look more mysterious, like a secret agent or something. Understandable, since she’s creeping around the ruins of Vale. Maybe it’s just my imagination, but it also makes her look a little more masculine. On that, I’ve got nothing. Of the four redesigns we’ve seen, Blake’s looks the most combat-ready. As before, her color scheme is black and white. I don’t know if that’s just for the sake of a nice contrast of colors or some kind of race metaphor. Oh, and she’s still wearing the bow, even though she’s in what I assume is a mostly evacuated city. Maybe human-Faunus relations have deteriorated since the attack and she doesn’t want to freak out any survivors she comes across. Could also be shame over what the Faunus have become. Or maybe it means nothing and I’m just jumping to conclusions.
Yang is keeping it casual, as usual, but there’s a few noticeable changes. She’s wearing more, which might mean nothing, but I can’t help but think there’s something more going on. It looks like Yang is trying to conceal herself, representing self-consciousness over her lost arm and becoming emotionally withdrawn because of the events of the last volume. Those are some cool pants, though. She’s even decorated them with some nice patches. Hey, what’s that one on her right leg? Looks like…wait…is that…what…That is a motherfucking bumblebee! Holy shit. Best visual cue ever. I’ve been skeptical of fans saying RWBY’s writers have been hinting at Blake and Yang getting together. I thought they were just really good friends and partners. But, I mean, what else could that patch possibly mean? All skepticism gone. OTP. Let’s see it happen.
Ruby’s redesign most clearly shows off the “growing up” theme. Notice the tiny bits of skin on the chest and thigh. It’s a little more revealing, but far from sleazy. I also spotted some fraying on her cloak and holes in her stockings, indicating a tough trip full of battles. Hopefully, we’ll get to see more than a few. Still plenty of rose imagery, specifically on her stockings and that nifty new clasp. Also, is it just me, or is her hair a little longer?
Speaking of Ruby growing up (and because I can’t think of anything else to say about her new outfit), I’ve been thinking a lot about how I’d like to see more character development for her, come next season. Last week, we briefly talked about how, for a main character, Ruby just isn’t very interesting. Some of the theories put forth were that she shares too much in common with other characters, the writers wanted to keep her happy-go-lucky as long as possible to show contrast when the hard stuff hits her, and that they just didn’t know how to write her. I think there’s some truth to all these theories, none of which excuse having their main character show no growth for two and a half years. What it boils down to is that Ruby is a character with no noticeable flaws or personal problems. Hopefully, this will end next season and she will become a worthy protagonist.
So, how should it be done? To answer that, let’s look at the few times Ruby received noticeable character development, all in volume 3. Ruby fails to save Penny. The White Fang and Grimm attack. Ruby breaks down for a few minutes, then snaps out of it and takes control. She has a couple daring fights, then fails to save Pyrrha. She wakes up, realizes how messed up the situation is, and breaks down again. That’s kind of what I want in volume 4. I don’t want Ruby to suddenly become a fearless leader. I want her to attempt to be a fearless leader and do a decent job, but still fail and break down sometimes. In short, she has to struggle in order to better herself.
Next, two of the best scenes in volume 3 were when Ruby visited her mother’s grave. Why we so rarely hear about Ruby’s sense of loss is mystifying to me. Her theme songs and trailer indicate that Ruby’s grief is central to her personality. So why does it so rarely come up? Give us some kind of exploration of Ruby and Summer. Maybe imply that Ruby wants to be a huntress because she is subconsciously trying to emulate her mother. How about some flashbacks between the two? Shoot, Ruby’s appearance and theme-songs already indicate that death is supposed to be one of her motifs. Why not play it up?
One of my favorite moments from any
RWBY fanfiction (I know I’m an asshole for bringing this up) was a scene when somebody asks Yang who Summer Rose was.
Yang replies, “She was Ruby’s mother.”
Then Ruby snaps at her, “And yours.”
Yang relents, “And mine.”
…
Why the hell can’t something like that happen in the show?! In two words, Ruby hinted at her protectiveness over her mother’s memory and unresolved issues between herself and Yang. Why shouldn’t Ruby be mad that her sister broods over Raven but rarely acknowledges the role Summer played in raising them both? See, questions like this can lead to jackpots of character development. Summer Rose is this huge blank space in the narrative and I’d love to see it start getting filled.
Lastly, I don’t even mind that many of Ruby’s potential flaws and personal problems are taken by other characters. The writers can still take them in a different direction or have her bond with another character who share a similar problem. It could be interesting to see how two people react to loss. Imply that Yang handles grief with relentless searching while Ruby handles it with emulation. Have a scene where Ruby talks with Jaune over self-consciousness at being a leader or with Nora over the world suddenly becoming less conductive to their happy-go-lucky lifestyles.
Oh, that reminds me. Nora and Ren are closer to the center of action now. Give them backstories. Is Nora really that happy or is she soothing herself after a traumatic childhood? Both? TELL ME!!